Let the Right One In

One Sunday morning at 11:00 am I attended the Brattle theatre’s Eye Opener series to watch Let the Right One In. I knew I would not like it. I only went for the free breakfast and to support the group; it would not kill me to stay 30 minutes. When 30 minutes was up I thought hum! I can stay another 20 minutes it’s not a bad movie. I ended up watching the entire movie and loving it; what a surprise! I then read the book from beginning to end in three days; that also was thrilling.

It is a great vampire and coming of age film and beautifully filmed in Sweden. It stays true to the book while leaving out a complete chunk around Eli’s so called father. I think this was a problem but understand that it would have made the film run well over two hours.

Oskar is a 12 year old fragile and very anxious boy that is regularly bullied by his stronger classmates. He seems to have no friends until he meets Eli, also 12, who moves in next door to him with her father. She is a pale, serious young girl or is she? She/it/he only comes out at night and doesn’t seem affected by the freezing temperatures. Coinciding with Eli’s arrival is a series of inexplicable disappearances and murders. One man is found tied to a tree, another frozen in the lake, a woman bitten in the neck.

Being a vampire movie, Blood is the common thread - and for an introverted boy likes Oskar, who is fascinated by gruesome stories, it doesn’t take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli’s plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old’s body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can… and what an end it is; wow!!

Swedish filmmaker Tomas Alfredson weaves friendship, rejection and loyalty into a disturbing and darkly atmospheric, yet poetic and unexpectedly tender tableau of adolescence. LET THE RIGHT ONE IN is based on the best-selling novel by John Ajvide Lindqvist.